Arthur Godfrey Time - $2 per CD - Old Time Radio Shows on OTR MP3 and Audio CDs from http://otrcds.com
Arthur Godfrey Time

This collection has 74 shows of totaling 30 hours

Each show is about 24 mins long so you can fit about 3 shows per CD.
So the entire collection would take 25 audio CDS
2 CD Set
6 Shows
Cost: $6.00
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5 CD Set
15 Shows
Cost: $15.00
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10 CD Set
30 Shows
Cost: $25.00
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15 CD Set
45 Shows
Cost: $34.95
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25 CD Set
75 Shows
Cost: $50.00
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Downlod FREE Episode: Arth 47.03.11 Johnny Daggan.mp3
Downlod FREE Episode: Arth 64.01.21 30th Anniversary.mp3

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Arth 47.03.11 Johnny Daggan

 
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Description:

Arthur Godfrey's popular daily morning show.

About the man: Arthur Morton Leo Godfrey (August 31, 1903 – March 16, 1983) was an American radio and television broadcaster and entertainer who was sometimes introduced by his nickname, The Old Redhead. No television personality of the 1950s enjoyed more clout or fame than Godfrey until an on-camera incident undermined his folksy image and triggered a gradual decline; the then-ubiquitous Godfrey helmed two CBS-TV weekly series and a daily 90-minute television mid-morning show through most of the decade but by the early 1960s found himself reduced to hosting an occasional TV special. Arguably the most prominent of the medium's early master commercial pitchmen, he was strongly identified with one of his many sponsors, Lipton Tea.

Radio: In this CBS publicity photo of Arthur Godfrey Time, vocalist Patti Clayton is seen at the far right and Godfrey sits in the foreground. Clayton, the original 1944 voice of Chiquita Banana, was married to Godfrey's director, Saul Ochs.On leaving the Coast Guard, Godfrey became a radio announcer for the Baltimore station WFBR - now WJZ (AM) - and moved the short distance to Washington, D.C. to become a staff announcer for NBC-owned station WRC the same year and remained there until 1934. He was already an avid flyer. In 1933, Godfrey nearly died following a violent car crash outside Washington that left him hospitalized for months. During that time, he decided to listen closely to the radio and realized that the stiff, formal announcers could not connect with the average radio listener, as the announcers spoke in stentorian tones, as if giving a formal speech to a crowd and not communicating on a personal level. Godfrey vowed that when he returned to the airwaves he would affect a relaxed, informal style as if he were talking to just one person. He also used that style to do his own commercials and became a regional star.

In addition to announcing, Godfrey sang and played the ukulele. In 1934 he became a freelance entertainer, but eventually based himself on a daily show titled Sundial on CBS-owned station WJSV (now WWWT) in Washington. Godfrey was the station's morning disc jockey, playing records, delivering commercials (often with tongue in cheek), interviewing guests, and even reading news reports during his three-hour shift. Godfrey loved to sing, and would frequently sing random verses during the "talk" portions of his program. In 1937, he was a host on Professor Quiz, radio's first quiz program. One surviving broadcast from 1939 has Godfrey unexpectedly turning on his microphone to harmonize with The Foursome's recording of "There'll Be Some Changes Made."

Godfrey became nationally known in April 1945 when, as CBS's morning-radio man in Washington, he took the microphone for a live, firsthand account of President Roosevelt's funeral procession. The entire CBS network picked up the broadcast, later preserved in the Edward R. Murrow and Fred W. Friendly record series, I Can Hear it Now. Unlike the tight-lipped news reporters and commentators of the day, who delivered breaking stories in an earnest, businesslike manner, Arthur Godfrey's tone was sympathetic and neighborly, lending immediacy and intimacy to his words. When describing new President Harry S. Truman's car in the procession, Godfrey fervently said, in a choked voice, "God bless him, President Truman." Godfrey broke down in tears and cued the listeners back to the studio. The entire nation was moved by his emotional outburst.

Godfrey made such an impression on the air that CBS gave him his own morning time slot on the nationwide network. Arthur Godfrey Time was a Monday-Friday show that featured his monologues, interviews with various stars, music from his own in-house combo and regular vocalists. Godfrey's monologues and discussions were unscripted, and went wherever he chose.

In 1947, Godfrey had a surprise hit record with the novelty "Too Fat Polka (She's Too Fat For Me)" written by Ross MacLean and Arthur Richardson. The song's popularity led to the Andrews Sisters recording a version adapted to the women's point-of-view.

Godfrey's morning show was supplemented by a primetime variety show, Arthur Godfrey's Talent Scouts broadcasting from the CBS Studio Building on 52nd Street where he had his main office. This variety show, a showcase for rising young performers, was a slight variation of CBS's successful Original Amateur Hour. Some of the performers had made public appearances in their home towns and were recommended to Godfrey by friends or colleagues. These "sponsors" would accompany the performers to the broadcast and introduce them to Godfrey on the air. Two acts from the same 1948 broadcast were Wally Cox and The Chordettes. Both were big hits that night, and both were signed to recording contracts. Godfrey took special interest in The Chordettes, who sang his kind of barbershop-quartet harmony, and he soon made them part of his broadcasting and recording "family."

Performers who appeared on Talent Scouts included Lenny Bruce, Don Adams, Tony Bennett, Patsy Cline, Pat Boone, opera singer Marilyn Horne, Roy Clark, and Irish vocalist Carmel Quinn. Later, he promoted "Little Godfrey" Janette Davis to a management position as the show's talent coordinator. Two notable acts rejected for the show were Elvis Presley and Sonny Till & The Orioles. Following his appearances on the Louisiana Hayride, Presley traveled to New York for an unsuccessful Talent Scouts audition in April 1955; after the Talent Scouts staff rejected The Orioles, they went on to have a hit record with "Crying in the Chapel" and kicked off the "bird group" trend of early rock 'n' roll.



This Item Contains:
Arth 00.00.00 Dickiephillips(Excerpt).mp3 Arth 45.04.15 News Fdr Funeralprocession Warthur Godfrey.mp3
Arth 46.07.08.mp3 Arth 46.07.09.mp3
Arth 47.01.13 Billie Holiday.mp3 Arth 47.03.11 Johnny Daggan.mp3
Arth 47.04.04.mp3 Arth 47.04.11.mp3
Arth 47.09.08.mp3 Arth 47.09.12 Dixiebell & Mary Jane.mp3
Arth 48.07.21 'If That Ain't Love'.mp3 Arth 48.10.08 Guest Gene Autry(noisy End).mp3
Arth 49.04.18 Lenny Bruce.mp3 Arth 49.04.25.mp3
Arth 49.05.02.mp3 Arth 49.05.09.mp3
Arth 49.05.19.mp3 Arth 49.05.23.mp3
Arth 49.05.30.mp3 Arth 49.06.10.mp3
Arth 49.09.26 Cordets- Wallie Cocks.mp3 Arth 50.04.24 Talentscouts.mp3
Arth 50.05.08.mp3 Arth 50.05.16.mp3
Arth 50.05.22.mp3 Arth 50.05.29.mp3
Arth 50.06.05.mp3 Arth 50.06.12.mp3
Arth 50.10.02.mp3 Arth 53.01.19 Firing Of Julius Larosa (Excerpt).mp3
Arth 53.10.21 American Tourists In Europe.mp3 Arth 64.01.20 30th Anniversary.mp3
Arth 64.01.21 30th Anniversary.mp3 Arth 64.01.22 30th Anniversary.mp3
Arth 64.01.23 30th Anniversary.mp3 Arth 65.10.13 News Show.mp3
Arth 65.10.14 News Show.mp3 Arth 72.03.21.mp3
Arth 72.03.22.mp3 Arth 72.03.23.mp3
Arth 72.03.24.mp3 Arth 72.03.25.mp3
Arth 72.03.26.mp3 Arth 72.03.28.mp3
Arth 72.03.29.mp3 Arth 72.03.30.mp3
Arth 72.03.31.mp3 Arth 72.04.01.mp3
Arth 72.04.02.mp3 Arth 72.04.03.mp3
Arth 72.04.04.mp3 Arth 72.04.05.mp3
Arth 72.04.06.mp3 Arth 72.04.07.mp3
Arth 72.04.08.mp3 Arth 72.04.09.mp3
Arth 72.04.10.mp3 Arth 72.04.11.mp3
Arth 72.04.12.mp3 Arth 72.04.13.mp3
Arth 72.04.14.mp3 Arth 72.04.15.mp3
Arth 72.04.16.mp3 Arth 72.04.17.mp3
Arth 72.04.18.mp3 Arth 72.04.19 Remembering 1956.mp3
Arth 72.04.20 Remembering 1955.mp3 Arth 72.04.21 Remembering 1954.mp3
Arth 72.04.22 Remembering 1953.mp3 Arth 72.04.23 Remembering 1952.mp3
Arth 72.04.24 Remembering 1951.mp3 Arth 72.04.25 Remembering 1950.mp3
Arth 72.04.26 Remembering 1949.mp3 Arth 72.04.27.mp3



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